The Beaverbrook Art Gallery is a public art gallery in Fredericton. It is named after Max Aitken, Lord Beaverbrook, who funded the building of the gallery. Beaverbrook had spent his childhood and youth in New Brunswick and after he became a wealthy press baron in England he made many gifts to the province. The Beaverbrook Art Gallery, which opened in 1959 when its founder was 80 years old, was to be the last of these gifts. The Beaverbrook Art Gallery is New Brunswick’s officially designated provincial art gallery.
In 1954 Lord Beaverbrook made an offer to Hugh John Flemming, the Premier of New Brunswick, to build and stock an art gallery in Fredericton. The Province accepted the proposal, and provided him with a site directly across from the New Brunswick Legislative Building on the southern bank of the Saint John River. Neil Stewart, of the Fredericton architectural firm Howell & Stewart, designed the mid-century modernbuilding. The flat-roofed single-storey building is faced with pale semi-glazed brick. It has a granite base, with cornices and a frieze of white marble quarried at Philipsburg, Quebec. The original exhibition space consisted of one high-ceilinged central gallery with a square gallery on either side.
In 1983 the building was expanded with the addition of east and west wings. These additions, funded by Marguerite Vaughan and the Beaverbrook Canadian Foundation respectively, housed the Hosmer Pillow Vaughan collection of china and other decorative arts, and the Sir Max Aitken Gallery. In 1995 another expansion housing the Marion McCain Atlantic Gallery was opened. Its name honours the late wife of New Brunswick businessman Harrison McCain, who contributed $1,000,000 to the project.
The gallery opened with a collection of more than 300 paintings, mostly British, that had been assembled by Lord Beaverbrook. Most of the works had been purchased by Beaverbrook himself, with the assistance of advisors including Sir Alec Martin, managing director of Christie’s, W.G. Constable, curator of the Boston Museum of Fine Arts, and Lady Dunn, the widow of the industrialist and art collector Sir James Dunn. Lady Dunn became Lady Beaverbrook when the two were married in 1963, a year before his death.
In 1954, Lord Beaverbrook had set up the Beaverbrook U.K. Foundation, a charitable foundation one of whose objects was “the purchasing for or providing funds for the purchase by libraries museums or art galleries in the Province of books manuscripts papers letters periodicals maps paintings prints statuary and other documents or works of art…” Beaverbrook gave the paintings he had already acquired to the Beaverbrook U.K. Foundation, and subsequent purchases of works for the Gallery were made by the Foundation.
According to contemporary news reports the total value of the collection was $2,100,000. It included works by J. M. W. Turner, John Constable, Thomas Gainsborough, Joshua Reynolds, Edwin Henry Landseer and other 18th and 19th century British artists. Beaverbrook had also acquired works by contemporary artists with whom he was personally acquainted, including Augustus John, William Orpen, and Graham Sutherland. Acting on the advice of Le Roux Smith Le Roux, he bought several paintings from the 1955 Daily Express Young Artists Exhibition, which Le Roux had organized. These included Lucian Freud’s Hotel Bedroom, which won second prize in the exhibition.
In addition to Lord Beaverbrook’s own acquisitions, the Gallery had received two major donations of artworks before its opening. Toronto businessman James Boylen donated 22 paintings by Cornelius Krieghoff. Lady Dunn donated three portraits by Walter Sickert and three works by Salvador Dali. Two of the Dali paintings were portraits of Lord and Lady Dunn, while the third was the very large painting Santiago El Grande, which was on display in the central gallery when the Beaverbrook Art Gallery opened and has become closely identified with the Gallery. This painting, which measures 13 by 10 feet (400 cm × 300 cm), and represents Spain’s patron saint James the Great on a white horse, had been created for the Spanish Pavilion at the 1958 Brussels World’s Fair.
In 2009 a sculpture garden was inaugurated adjacent to the Gallery. The first sculpture to be commissioned was The Birth of Venus by New Brunswick Acadian artist André Lapointe. In 2012 the Gallery received a $300,000 donation from TD Bank Group to support the initiative, which was named the TD Sculpture Garden. Sculptures by Jonathan Kenworthy (The Leopard) and Marie-Hélène Allain (Awakening/Éveil) have been on display on the lawns in front of the Gallery since 1985.
In 2012 there were 3600 items in the gallery’s permanent collection, which is made up of four separate collection areas: The British Collection, The Canadian Collection, the International Collection, and the New Brunswick Collection. The core of The British Collection is the original Beaverbrook collection with which the gallery opened. In the Canadian Collection, the gallery hosts an extensive collection of 19th- and 20th-century Canadian artists such as the Group of Seven, Emily Carr, David Milne and Jean-Paul Riopelle. Within the Canadian Collection there is an emphasis on work from the Atlantic region, and the gallery has extensive holdings of work by Christopher Pratt, Bruno Bobak, and Jack Humphrey among others. The International Collection contains representative works from the fourteenth to the twentieth centuries. The Hosmer Pillow Vaughan Collection of Continental fine and decorative art forms part of the International Collection. In 1994.
The Beaverbrook Art Gallery was designated the Provincial Art Gallery of New Brunswick. A separate New Brunswick Collection was established to ensure a comprehensive historical survey of New Brunswick art, including work by Acadian, Maliseet, and Mi’kmaq artists.
This post has already been read 1946 times!Follow Us on Social Media